Brittany Ferns

Working with natural ochres and pigments that are native to the Australian earth, Brittany Ferns' paintings are poetic musings on where mythology and personal narrative intersect.

Where are you from and where do you reside?

I'm from Newcastle, NSW, Australia.

What necessities do you require when making your art?

I take great pleasure in using thick Belgian linen and custom-wrapping my own boards. Creating my own surfaces, often combining linen, muslin, and Japanese papers, allows me to tailor the texture and quality of my work.

My studio is situated in a large warehouse, and the atmosphere shifts significantly with the seasons. In winter, it becomes absolutely freezing, dark, and cold. Conversely, summer brings a much more inviting and pleasant environment with the roller door open. I’ve noticed that these seasonal changes influence my palette, shifting from darker, moodier tones in winter to warmer, brighter tones during spring.

Describe a typical day in the studio for you.

I usually begin my day by walking my dog Coco to the coffee van down the road before heading back to the studio to start my work. I like to kick off each new series with a fresh drop cloth and a bit of cleanup. I often juggle multiple projects at once, which keeps my work exciting and allows me to experiment with different subjects. My studio hours are typically from 9 to 2, as I need to pick up the kids from school, so I aim to be as productive as possible during that time. I also stay busy with packing work, making boxes, managing photography and editing, and responding to inquiries related to the print side of my art business. These tasks significantly reduce my studio time. Finding balance is something I’m continuously striving to improve.

What is the most difficult part of the artistic process for you?

I would love to become more attuned to working in harmony with my personal cycles and the changing seasons, but often, that’s not the case. When inspiration wanes and deadlines approach, it can be challenging to push through. However, navigating these periods is frequently necessary to meet my commitments.

Are there any aspects of your process that are left to chance?

While I have a preferred approach to painting, I also embrace a sense of playfulness in my work. Not everything turns out as planned, and there are often multiple layers of paintings that don’t make the final cut. I’m comfortable painting over these layers when possible, as this process can add unique depth and character to the artwork. The beauty in these imperfections is often left to chance, and it’s usually what I end up appreciating most about the painting.

How do you choose your materials?

I have been experimenting with materials for some time, and recently, I’ve particularly enjoyed working with linens, fabrics, papers, and wax. I love the process of layering fabrics and dyeing papers, which allows me to create rich textures and layers. This approach helps my artwork evoke a sense of history and narrative, making each piece feel as though it has its own story to tell.

How has your work developed in the past few years, and how do you see it evolving in the future?

I recently underwent a significant change in my artistic practice, transitioning from using plaster to exploring textures in fabrics and papers. Although the shift was challenging, I am excited by the new process and the textures I’ve been able to create.

I am constantly drawn to themes that explore the passage of time, the allure of treasures, and the rich tapestry of folktales. My work reflects a fascination with travel and the art of slowing down, capturing the beauty in moments of stillness and introspection.

Brittany Ferns

When did you begin your current practice?

I began painting in 2019, but it’s only in the past two years that I’ve started using this new technique.

How do your surroundings direct your approach to your work?

The changing seasons of Australia tend to influence my colour palette, shaping the hues and tones I work with at any given time. Each season’s unique palette offers fresh inspiration and guides my artistic choices.

Traveling is another significant source of inspiration for me. I am deeply fascinated by different cultures and am energized by the new surroundings, textures, and color palettes I encounter in various cities. Exploring traditional methods of making and creating while traveling enriches my understanding and infuses my work with diverse influences.

Currently, at home, when I’m not feeling particularly creative, I find that a run through the bush can be incredibly rejuvenating. The natural beauty and colors of the Australian bush, with its golden light filtering through the trees in the morning or afternoon, continuously inspire me. Being by the ocean also plays a crucial role in my life, offering a refreshing escape and a constant source of inspiration.

What tangible objects or intangible moments are you most interested in representing through your works?

The concept of time has been a recurring theme throughout my artistic practice. I am continually intrigued by how time influences our lives and perceptions, and this fascination often manifests in my work. Whether exploring the passage of time, the nostalgia of memories, or the interplay between past and present, time serves as a fundamental element that shapes and inspires my creative expression.

What themes or motifs are you consistently drawn to?

I am constantly drawn to themes that explore the passage of time, the allure of treasures, and the rich tapestry of folktales. My work reflects a fascination with travel and the art of slowing down, capturing the beauty in moments of stillness and introspection.

Mermaids are a recurring motif in my art, symbolizing myth and mystery. They embody a timeless, magical quality, weaving through my pieces as symbols of allure and enigma. My portraits, inspired by my travels in Mexico, showcase the vibrant and diverse cultures I’ve encountered, capturing the essence of individuals and their stories. These works reflect the rich cultural experiences that have shaped me.

Cowboys and musicians also feature prominently in my art, representing the rugged spirit of adventure and the soulful expression of music. These subjects resonate with my exploration of human experience and the narratives that define our lives.

Each of these themes and subjects deepens my artistic journey, blending personal interests with broader cultural and emotional landscapes.

How do the different materials come together in your works?

Choosing the right materials is crucial to me, as I deeply value the depth and unique, sometimes imperfect, textures they provide. These textures add the final touch to each of my artworks. Regardless of the subject, my passion for rich textures and layers remains a fundamental aspect of my work.

Where do you find your day-to-day inspiration?

In my morning coffee. Slowing down and spending quality time with my kids. Also a run through the Australian bush always refreshes me and fuels my inspiration.

Has another hobby, profession, or interest influenced your work/practice?

I have a passion for learning about traditional methods of creating, such as natural dyeing, textiles, and printmaking. I enjoy exploring these time-honored techniques and often find inspiration from them, discovering new elements that influence my work.

I love the process of layering fabrics and dyeing papers, which allows me to create rich textures and layers. This approach helps my artwork evoke a sense of history and narrative, making each piece feel as though it has its own story to tell.

Brittany Ferns

Are you influenced by any artist that does something completely different than you?

I am influenced by music.

Are you formally trained? Did you go to art school?

Although I didn’t attend art school, my background as a textile designer provided a foundation before I began painting. Since transitioning to painting, I actively seek to expand my skills through workshops and courses, including a memorable one in Mexico City focused on textures. My most recent experience was learning the art of lithography in printmaking.

Do you remember the first work of art that captured your attention?

I deeply admire Pierre Boncompain's work. His use of color is profoundly moving and emotive, creating a compelling impact that resonates with me. His art is always a source of inspiration that I find myself returning to time and again.

Do you admire or draw inspiration from any of your peers who are also working now? How solitary is your art-making process?

I find myself naturally inspired by the work of Australian artists, and I often notice a similar mood running through their pieces.

My art process is quite solitary, though not by intention. I spend my studio time alone from around 9 to 2 each day, immersing myself in painting as deeply as I can. I genuinely enjoy this focused solitude. Outside the studio, I shift to the lively and chaotic world of raising children. Given this contrast, I don’t feel the need for additional social interaction in my workspace; solitude is both fulfilling and essential to my creative process.

Is there any artwork on display in your home/studio?

I have some work of fellow Australian artists, artists that I have exhibited with. I have also started collecting art books.

What’s one of your favorite objects you own? What’s the story?

My favorite objects at home are some handmade and hand-painted sculptures from Mexico. I also cherish the traditional hand-woven tapestry featuring my mermaids. This collaboration holds a special place in my heart, not only because of the opportunity to meet the artisans and learn about their process but also as a wonderful reflection of my family’s travels and our experiences in Mexico.

What’s next for you?

I hope to continue painting, traveling, and one day undertake an artist residency abroad.

Published October 23, 2024.